Support for Chinese, Japanese, Korean languages autodetection of TXT file encoding (GBK, Shift_JIS, BIG5, EUC_KR).ĭay and night profiles (two sets of colors, background, backlight levels).īrightness adjustments by flick on left edge of screen.īackground texture (stretched or tiled) or solid color. Most complete FB2 format support: styles, tables, footnotes.Īdditional fonts support (place. Table of contents, bookmarks, text search.īookmarks on text fragments (comments or corrections) – useful for proof reading.īuilt-in file browser, quick recent books access. (/cr3/ directory can also be used instead of /.cr3/, and internal SD or internal storage instead of /sdcard/) Place additional textures to /sdcard/.cr3/backgrounds/ - to be used as stretched page backgrounds. Place additional textures to /sdcard/.cr3/textures/ - to be used as tiled page backgrounds. Optimized for new devices with big high resolution screens. crashes while reading) try to remove directory SD/.cr3/cache and book database files SD/.cr3/*.sqliteĪs well, consider using “Cool Reader GL” – cross-platform Cool Reader version with UI rewritten in C++, with hardware acceleration based on OpenGL.
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But I think he would like it.In case of issues after update (e.g. Also, I doubt Garth Brooks is ever going to watch this movie. So let’s just see what these characters would do in that situation.”ĭespite riffing on the lives of recognizable stars – George Jones passed away in 2013 – Reece describes his story as an “alternate universe,” where reality and fantasy collide on a regular basis. I went one step further: it doesn’t have to be true. It’s fantastic! But a lot of people, when they are making a biopic of an artist, are trying to get it exactly right even though it’s still their own interpretation. “I have this fascination with American iconography,” he says, praising Baz Luhrmann’s recent take on the singer’s everlasting appeal. Thinking about country music films, from “Coal Miner’s Daughter” – starring Sissy Spacek as Loretta Lynn – to “Tender Mercies” and Altman’s “Nashville,” Reece also saw his new film as a “spiritual successor” to 2017 “Mickey Reece’s Alien” about Elvis Presley. But it’s a much more involved process than it used to be.” I like to dip my toes in all the genres out there and I have five ideas a day about movies I want to make. “I still try to approach it in the same way, however.
It inspired a great deal of self-reflection,” admits Reece. “I will never reach the heights of Garth Brooks, but my work is receiving more attention than ever. While he didn’t originally intend to play the part, he quickly saw some parallels between his path and the conflicted artist who is also “just a boy from Oklahoma.” All the while lovingly referencing record-breaking country artist (Troyal) Garth Brooks. As much as I can be personal, given my style,” he says. “Country Gold,” about country star Troyal Brux (played by Reece himself) who “sold more records than Michael Jackson and Madonna” and finally gets to meet his hero George Jones (Ben Hall) back in 1994 in Nashville, echoes some of these conflicts. I certainly don’t want to get sucked into that machine of being a director for hire. There were no compromises, and I think it was because of keeping this low profile and trucking along here in Oklahoma.
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“Every movie I’ve ever made was exactly what I wanted it to be. I am pretty addicted, so it would be hard. “I don’t plan on suddenly developing one project for a couple of years.
“People will have to get cool about some weird shit real quick for me to get into festivals,” he deadpans. But while his upcoming title will be an even bigger endeavor, he is not planning to change his DIY ways anytime soon. His 2021 horror “Agnes,” set in a convent, premiered at Tribeca and received international attention.
Reece, who started making films in 2008, has already completed 29 features. Producer Kassie Gann will reunite with Reece after “Country Gold.” Currently casting and looking to shoot later this fall, “The Cool Tenor” will be lensed by Samuel Calvin and executive produced by TIFF Midnight Madness programmer Peter Kuplowsky.
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